{"id":3000005211,"date":"2019-04-17T15:29:10","date_gmt":"2019-04-17T19:29:10","guid":{"rendered":"\/newsroom\/?p=3000005211"},"modified":"2020-03-30T17:31:36","modified_gmt":"2020-03-30T21:31:36","slug":"he-uses-cutting-edge-technology-by-day-at-wework-and-by-night-in-the-art-world","status":"publish","type":"post","link":"https:\/\/www.wework.com\/ideas\/community-stories\/employee-spotlight\/he-uses-cutting-edge-technology-by-day-at-wework-and-by-night-in-the-art-world","title":{"rendered":"He uses \u2018cutting edge\u2019 technology by day at WeWork\u2014and by night in the art world"},"content":{"rendered":"\n

Superpower on the Side <\/em><\/strong>is a series that features WeWork team members and how they spend their time when they’re not at work.<\/em><\/p>\n\n\n\n

It was a chance encounter on a golf course that led David Banyard to the art world, though he\u2019s always been creatively inclined. Growing up on the East Coast, Banyard dreamed of being an animator. But after living behind a Frank Lloyd Wright house in Chicago as a teen, he decided to pursue a career in architecture instead.
<\/p>\n\n\n\n

\u201cI just fell in love,\u201d recalls Banyard, 42, now a senior manager of construction technology in WeWork\u2019s San Francisco HQ. \u201cLike, \u2018This is cool. Who gets to do this?\u2019 I learned what architecture was, what an architect does, and it really excited me to make that my career.\u201d
<\/p>\n\n\n\n

After graduating from Tuskegee University in Alabama, he worked at an architecture firm in Atlanta before moving to San Francisco in 2001. Eventually, he started consulting for construction and architecture firms. In his spare time, he took up a hobby: golf.
<\/p>\n\n\n\n

Banyard was hitting the links in 2012 when he struck up a conversation with sculptural artist Branly Cadet, who happened to be golfing nearby. When Cadet learned that Banyard was a trained architect, he asked him to collaborate on a commission: a 7-foot-long bronze statue of a bulldog for the Dwight-Englewood School in Englewood, New Jersey.
<\/p>\n\n\n\n

On that first project, Cadet focused on designing the sculpture, while Banyard was in charge of building the base. When that went well, Cadet asked Banyard to create a version of the bulldog that could be 3D printed and turned into keychains the school could sell.
<\/p>\n\n\n\n

\u201cI\u2019ve specialized in 3D printing for almost 20 years, and I love using the cutting edge of technology,\u201d Banyard says. \u201cIt\u2019s kind of exciting that something we designed is now in people\u2019s houses.\u201d
<\/p>\n\n\n\n

\"\"
\u201cThere\u2019s a lot of information you can get as long as you reach out and ask questions when you are interested in something,\u201d says David Banyard, a senior manager of construction technology at WeWork. <\/figcaption><\/figure>\n\n\n\n

His love for technology led Banyard to WeWork in July 2018. He first approached David Fano, WeWork\u2019s chief growth officer, years earlier about a job at CASE, the building information and technology consultancy Fano co-founded in 2008. That didn\u2019t work out, and Fano joined WeWork in 2015 after selling CASE.
<\/p>\n\n\n\n

When Fano reached back out, Banyard was managing the construction of the new Golden State Warriors arena. He enjoyed his work, but the idea of helping establish the infrastructure for WeWork construction to expand throughout the West Coast and bringing all of the company\u2019s projects in-house was too good to pass up.
<\/p>\n\n\n\n

\u201cWe\u2019re trying to create a group that can handle all construction across the western region because we know how to build our product the best,\u201d says Banyard.
<\/p>\n\n\n\n

In his role, Banyard interacts with different departments across the company to make sure WeWork teams have the technology they need to work out in the field. What he learns from these interactions doesn\u2019t just benefit his WeWork construction projects\u2014it also helps inform the side projects he continues to do with Cadet.
<\/p>\n\n\n\n

\u201cThere\u2019s a lot of information you can get as long as you reach out and ask questions when you are interested in something,\u201d Banyard says. \u201cFor example, I\u2019ll go over to arts and graphics and ask them how they design these neons and how they work with the electricians to make sure it works on the wall.\u201d
<\/p>\n\n\n\n

Since their first commission, Banyard and Cadet have partnered on six projects across the country, most highlighting historical figures, and they\u2019ve worked out a system. When Cadet finds a commission he wants to go after, he\u2019ll reach out to Banyard to see if he has the bandwidth to partner up. Then the two research the subject and come up with their respective designs: Cadet for the sculpture, Banyard for ancillary objects like the base the sculpture will go on, other elements that may have information about the subject, ground patterns, lighting, and even landscaping.
<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201cI fell in love with the work after that [first] project,\u201d Banyard says. \u201cWe started going for commissions that were higher-profile and not easy to get, and it was fun to be on that hunt.\u201d
<\/p>\n\n\n\n

Before Cadet submits their final design, he and Banyard take time to editorialize each other\u2019s ideas. It\u2019s another way that Banyard\u2019s experiences at WeWork have carried over; since his construction projects often involve many people, he\u2019s become skilled at navigating different ideas and opinions to reach a plan that everyone can be happy with.
<\/p>\n\n\n\n

\u201cSometimes it can be a little biting to hear that the artist doesn\u2019t like what you\u2019re doing,\u201d Banyard says, referring to Cadet. \u201cBut you just have to work through it. Because you\u2019ll come to a really good idea together.\u201d
<\/p>\n\n\n\n

To date, Banyard\u2019s favorite collaborations with Cadet are a sculpture of baseball legend Jackie Robinson that stands just outside the main entrance to Dodgers Stadium in Los Angeles, and a 10-foot tall sculpture of Octavius V. Catto, the Civil War-era activist and educator, in Philadelphia.
<\/p>\n\n\n\n

\u201cWhen you get to see something that you created and go back to it, that\u2019s the biggest thing for me,\u201d he says. \u201cSeeing a product that I helped make happen that people are enjoying, that makes them say, \u2018Oh, this is cool.\u2019\u201d
<\/p>\n\n\n\n

Banyard doesn\u2019t regret forgoing a career as an animator but says it was a happy surprise to get back into art in his 30s. Because of that, he encourages his colleagues to keep trying new things and pursuing whatever it is that sparks their interest. After all, it was his love of golf that led him back to his dream of making art.
<\/p>\n\n\n\n

\u201cEven if you\u2019re not doing what you expected to be doing from the beginning, keep trying at it,\u201d he says. \u201cEventually you might have some doors open for you.\u201d <\/p>\n\n\n\n

Photography by Ulysses Ortega
<\/p>\n","protected":false},"excerpt":{"rendered":"

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